Throughout my career, I’ve pioneered innovative projects in haptic feedback, interactive installations, and public art. From tactile navigation tools like the Hapti-Harness to large-scale public installations, my work is driven by a commitment to connecting people to technology in profound, human-centered ways. I believe that technology, when paired with creativity, can bridge gaps, foster empathy, and serve as a tool for social justice.
Collaboration and interdisciplinary research are at the heart of my practice. Whether working with artists, engineers, or scientists, I thrive on projects that challenge conventional boundaries and welcome the unexpected. I’m also dedicated to sharing my knowledge through teaching roles at institutions like UAL, RCA, and QMUL, where I guide students in digital interactivity, physical computing, and creative coding.
Join me as I continue to push the limits of art and technology, creating work that not only engages but also leaves a lasting impact on how we perceive and interact with our world.
About Matt
Matt has facilitated and collaborated with renowned artists, producers and curators to realise a large variety of complex multi-platform and multi-system projects in practical, accessible ways. Artists, producers and curators he has worked with include:
Susan Collins, Thomson & Craighead, Julie Freeman, Michael Pinsky, Ed Carter, Oliver Beer, Martin Sastre, Annee Olofsson, Monika Oechsler, Martin John Callanan, Rose Butler, Film & Video Umbrella, videoclub, PIPSLab, Florida Digital Worlds Institute, S1, V2 Institute for Contemporary Art, Lovebytes, Art Sheffield, Ars Electronica, Hannah Redler, Jeanine Griffin and Caroline Jones.
Matthew Jarvis has a deep understanding of the potential and limitations of technology, with a strong belief that art is a strong medium for change. As a natural problem solver and critical thinker, he has provided expert advice and consultancy to galleries, museums, festivals and creative organisations to build state of the art solutions for challenging briefs. Working in collaboration with diverse and multidisciplinary teams he provides an empathetic interface which bridges the arts with creative technologies. He has worked with:
Tate, Site Gallery, Roca, London Science Gallery, V&A, Tate, Manchester Science museum, London Design Museum, Wearable technology expo, London Bankside Festival, Brighton Light-night, Oxford Light-night, Hackney house (2012 Olympic exhibition), New Scientist Live, Sonic Acts, Slade School of fine art, UCL, Queen Mary University of London, Goldsmiths University of London, Royal College of Art, Sheffield Hallam University, Telefonica, Open Data Institute, Illuminate Productions, SheffieldLive!
Matt current sits on the board of Directors for ShefCast and provides technical advice and consultancy for several start-ups on a regular basis, including Invisible Cape and wearebeep.